Look at you—mic in hand, dreams in heart, and a podcast name that’s probably a pun. I’m proud of you already.

If you’ve got a spark, a mic, and a little discipline (or at least a calendar reminder), go for it! A podcast doesn’t have to be perfect—it just has to be you.

Merch isn’t just about making a few bucks—it’s about turning fans into superfans. And superfans? They wear your catchphrase to brunch.

So you’ve been crushing it on stage — killing open mics, owning bar shows, maybe even getting a few real fans who aren’t your mom or your roommate. Now you're eyeing Hollywood, thinking, “Hey, I’m funny. I should be on TV!”

The truth is: there’s no perfect answer. But if you’re smart, prepared, and passionate — it might be closer than you think.

Let’s be real — the early days of comedy are like surviving on ramen, adrenaline, and blind faith. You wonder if you’re making progress or just becoming a permanent fixture at open mics, like that one sticky chair no one wants to sit in. But here’s the good news: you are growing.

Tony wanted to make a living doing stand-up and after years of slinging punchlines and eating rejection for breakfast, Tony finally made their first thousand dollars doing comedy…

Look, not every joke is gonna be a winner. Some jokes just aren’t meant to live past their first awkward chuckle—or worse, that silent vacuum where laughter should be but instead, you just hear your own self-esteem shattering like a glass dropped in a nightclub bathroom.

Let’s talk about accountability groups—you know, those little huddles of hope where people gather, sip oat milk lattes, and say things like, “This week, I vow to be my best self!”

Adorable.

So, you’re thinking about starting a writing group with other comedians? First off—love the ambition, honey. That’s like saying, “Should I start a biker gang with my grandma and her Mahjong friends?” It sounds great in theory, but buckle up, because it’s gonna be a ride.

Oh honey, if I had a dollar for every time someone asked me, "When am I gonna get my big break?"—I wouldn't need a break, because I'd already be rolling in the cash!

Behind every successful artist is a whole team making sure we don’t accidentally do something stupid. And at the core of this team? An agent and a manager. But which one is better?

Grab a coffee, put on your most comfortable robe, and let’s talk about one of life’s big questions: should you get a manager?

Let’s spill the tea (or coffee if you’re keeping it Dry Bar clean) on how to get noticed by comedy powerhouses like Comedy Dynamics and Dry Bar Comedy. Making people laugh is only half the battle; getting the right people to watch you is the other half.

Today, we’re diving into getting booked on a late night show. It’s not just about being funny (though that helps). It’s about navigating the process with precision, professionalism, and a dash of pizzazz.

Today, we’re diving into a topic near and dear to my heart: crafting a killer standup set for television. These tips will help you deliver a set that leaves the audience laughing and the producers calling you back.

The answer isn’t as cut-and-dried as you might hope. It’s a mix of quality, experience, and the opportunities you’ve had along the way. But let’s break it down…

Over my years in comedy, I’ve learned that retiring a joke is as crucial as crafting one. Here’s my take on when it’s time to bid a joke farewell and why doing so can actually elevate your act.

The world of comedy can be both exhilarating and daunting, with talented individuals seeking opportunities to showcase their humor and make a mark in the entertainment industry. While talent and perseverance are vital, having a competent agent or manager can provide the necessary guidance and connections to propel comedians to success.

Standup comics develop an act for television through a combination of writing, performing, and refining their material. It's important to note that the process can vary among comedians, and some may have unique approaches or strategies. However, the key elements generally involve writing, performing, testing, and refining their material over time to create a polished act suitable for television.