Look, not every joke is gonna be a winner. Some jokes just aren’t meant to live past their first awkward chuckle—or worse, that silent vacuum where laughter should be but instead, you just hear your own self-esteem shattering like a glass dropped in a nightclub bathroom.

Behind every successful artist is a whole team making sure we don’t accidentally do something stupid. And at the core of this team? An agent and a manager. But which one is better?

Grab a coffee, put on your most comfortable robe, and let’s talk about one of life’s big questions: should you get a manager?

Let’s spill the tea (or coffee if you’re keeping it Dry Bar clean) on how to get noticed by comedy powerhouses like Comedy Dynamics and Dry Bar Comedy. Making people laugh is only half the battle; getting the right people to watch you is the other half.

For us comedians, YouTube is a double-edged sword—a stage that’s always open, but one that’s forever unforgiving. So, should you put your act on YouTube? Let’s break it down, honey.

You’re in it for the love, right? The applause, the craft, the chance to have strangers cackle at your pain. But let’s not kid ourselves—you’re also wondering, when do I start making money doing this?

Here’s the thing about comedy: it all starts with the premise. So, what makes a good premise for a joke? Let’s break it down.

The secret to promoting yourself and getting noticed is simple: Be bold, be consistent, and be you. Everyone has a unique sparkle—don’t be afraid to let yours shine.

Today, we’re diving into getting booked on a late night show. It’s not just about being funny (though that helps). It’s about navigating the process with precision, professionalism, and a dash of pizzazz.

Today, we’re diving into a topic near and dear to my heart: crafting a killer standup set for television. These tips will help you deliver a set that leaves the audience laughing and the producers calling you back.

The answer isn’t as cut-and-dried as you might hope. It’s a mix of quality, experience, and the opportunities you’ve had along the way. But let’s break it down…

Ah, the two-year mark in comedy. It’s a tricky milestone, isn’t it? By now, you’ve likely moved past the sheer terror of your first open mic (or fifty) and maybe even scored a few laughs that weren’t from your mom in the back of the room. But where should you be?

You know that moment when you stumble across a premise so funny, you laugh out loud in public, and people look at you like you’ve just confessed to loving pineapple on pizza? (Which, for the record, I do—judge me.) You think, “This is it! This joke is going to kill on stage. It’ll be my new closer.” And then... it doesn’t work. Not once.

Over my years in comedy, I’ve learned that retiring a joke is as crucial as crafting one. Here’s my take on when it’s time to bid a joke farewell and why doing so can actually elevate your act.

Here’s a solid checklist to make sure you keep evolving, stay true to your unique voice, and have fun on your comedic journey…

Stand-up comedy is an art form that captivates audiences with laughter and wit. However, behind the scenes, the world of stand-up comedians is often characterized by immense pressure, stress, and the constant pursuit of comedic brilliance.

In recent years, the issue of safety and well-being for comedians has gained significant attention. The world of comedy, which thrives on pushing boundaries and challenging societal norms, occasionally blurs the line between humor and offense. One notable incident that ignited discussions surrounding comedian safety was the on-stage slap delivered by Will Smith to Chris Rock. This essay aims to examine the effects of that incident and shed light on the current state of safety for comedians.

The world of comedy can be both exhilarating and daunting, with talented individuals seeking opportunities to showcase their humor and make a mark in the entertainment industry. While talent and perseverance are vital, having a competent agent or manager can provide the necessary guidance and connections to propel comedians to success.

Standup comics develop an act for television through a combination of writing, performing, and refining their material. It's important to note that the process can vary among comedians, and some may have unique approaches or strategies. However, the key elements generally involve writing, performing, testing, and refining their material over time to create a polished act suitable for television.

Going on the road as a stand-up comedian can indeed be a lonely experience. While it's true that every comedian's journey is unique and individual experiences may vary, there are common aspects of the profession that can contribute to feelings of loneliness. Let's explore some of these factors in more detail…